PARIS, October 1, 2007 – Christian Dior's 60th birthday celebration was a grand bouffée of such vast and extended proportions—couture at Versailles in July, resort in New York in August, a monumental Paris dinner in September—that the only place left to go had to be back down to earth. As a global behemoth, Dior does publicity like no one else (except its LVMH sister Louis Vuitton), and so, after all the heady image-making, a pragmatic payoff was obviously the plan for ready-to-wear.
Sting's Englishman in New York set the theme (he was there in the audience, too) for a light, nonintellectual revival of all the patterns John Galliano has amassed through his ten-year career at Dior. Under the guise of twenties-through-forties styling, he brought back his pantsuits as pinstripe three-pieces and Marlene Dietrich white-tie tailcoats, reprised the pagoda-shouldered silhouettes of his Madame Butterfly collection, and, of course, laid on a rendering of his signature bias cutting in jazz-age chiffon and thirties charmeuse.
Is Galliano at his happiest when discharging such commercial duties? In the past, it's grated on him, but this wasn't one of his camp-hysteria evasions, nor was it one of his more passive-aggressive collections of bottom-line merchandise. There were pretty, accessible things: palest dusty eau-de-nil chiffons, a sugar-pink, silver-embroidered evening jacket with a sinuous, traily skirt, and a knowing nod to the current feel for pajama dressing. Oh, and handbags. In one sense, the show made an unexceptionable job of broadcasting what Christian Dior stands for in reality through the many markets it has conquered—it was a counterweight to the high-flown flourishes of earlier this year. In another, it missed the flair and humor Galliano can muster at his best. If there was any lingering hint of ennui in Sting's insistent refrain of "I'm an alien" (Galliano is a great one for sending aural messages), it didn't extend to the designer's frankly hilarious finale pose as a cigarette-smoking Englishman, caught in top hat, tails, voluminous white underpants, and a pair of suspendered socks.
I've been seeing a ot of black & white coming out, I wonder will this be the new color trend for spring/summer? I don't know how I feel about that. Though I do quite like this one:
I've been seeing a ot of black & white coming out, I wonder will this be the new color trend for spring/summer? I don't know how I feel about that. Though I do quite like this one:
I can't wait! I'm so glad to see they're reintroducing the "Christian" in Christian Dior. It saddened me to see them transition to the newer 'DIOR' logos, dustbags, shopping bags and even the revamped store fronts. I love the heritage of Christian Dior. It's nice to see him reappear for a little bit.
Sorry if I sound like an old dame, I'm actually in my 20s but I love the history behind the brands. This way, I kinda know what I'm buying into.
Dior Spring 2008 Runway Handbags
Re: Dior Spring 2008 Runway Handbags
).. also the leopard print looks kindof fun.
“The difference between style and fashion is quality.” - armani
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